A study of postal ephemera, photographed on a backlit surface to expose the hidden layers within envelopes, stamps and aged paper stock. The light source turns each object semi-transparent, revealing watermarks, creases, adhesive traces and the physical history embedded in the material. Shadows flatten into graphic shapes while fibres, perforations and printed textures become the focus, shifting the objects from functional items into archival documents. The series examines the visual language of correspondence—how paper records time, use and handling—and treats mail not as communication, but as an artefact of production, circulation and decay.