0.3
personal still-life compilation. 2020-2025.
0.3
personal still-life compilation. 2020-2025.
This collection brings together selected still-life works made between 2020 and 2025, reflecting ongoing explorations of colour, material, and everyday form. Across the images, ordinary objects are treated as staged subjects: stacked plastic cups, sliced fruit, tomatoes wrapped in light-reactive plastic, used coffee utensils in a sink, metal tools under condensation, and domestic arrangements of bread, citrus, and jars. The approach remains consistent — controlled lighting, restrained compositions, and an attention to surface and shadow — but the content shifts from domestic scenes to studio experiments. The compilation offers a record of process rather than a single theme; each photograph operates as a study in how objects behave when isolated, rearranged, or photographed under conditions that heighten texture, reflection, and spatial balance. Instead of presenting a linear evolution, the project functions as an index of recurring interests: translucency, repetition, traces of use, and the quiet theatricality of everyday materials.
This collection brings together selected still-life works made between 2020 and 2025, reflecting ongoing explorations of colour, material, and everyday form. Across the images, ordinary objects are treated as staged subjects: stacked plastic cups, sliced fruit, tomatoes wrapped in light-reactive plastic, used coffee utensils in a sink, metal tools under condensation, and domestic arrangements of bread, citrus, and jars. The approach remains consistent — controlled lighting, restrained compositions, and an attention to surface and shadow — but the content shifts from domestic scenes to studio experiments. The compilation offers a record of process rather than a single theme; each photograph operates as a study in how objects behave when isolated, rearranged, or photographed under conditions that heighten texture, reflection, and spatial balance. Instead of presenting a linear evolution, the project functions as an index of recurring interests: translucency, repetition, traces of use, and the quiet theatricality of everyday materials.

03.1
img.SLc_01
01/07

02/07
img.SLc_02
03.2

03/07
img.SLc_03
03.3
// Address
Tjørneholmen 14, 2nd floor
1328 Copenhagen K
Denmark
0.3
personal still-life compilation. 2020-2025.
This collection brings together selected still-life works made between 2020 and 2025, reflecting ongoing explorations of colour, material, and everyday form. Across the images, ordinary objects are treated as staged subjects: stacked plastic cups, sliced fruit, tomatoes wrapped in light-reactive plastic, used coffee utensils in a sink, metal tools under condensation, and domestic arrangements of bread, citrus, and jars. The approach remains consistent — controlled lighting, restrained compositions, and an attention to
surface and shadow — but the content shifts from domestic scenes to studio experiments. The compilation offers a record of process rather than a single theme; each photograph operates as a study in how objects behave when isolated, rearranged, or photographed under conditions that heighten texture, reflection, and spatial balance. Instead of presenting a linear evolution, the project functions as an index of recurring interests: translucency, repetition, traces of use, and the quiet theatricality of everyday materials.
0.3
personal still-life compilation. 2020-2025.
This collection brings together selected still-life works made between 2020 and 2025, reflecting ongoing explorations of colour, material, and everyday form. Across the images, ordinary objects are treated as staged subjects: stacked plastic cups, sliced fruit, tomatoes wrapped in light-reactive plastic, used coffee utensils in a sink, metal tools under condensation, and domestic arrangements of bread, citrus, and jars. The approach remains consistent — controlled lighting, restrained compositions, and an attention to
surface and shadow — but the content shifts from domestic scenes to studio experiments. The compilation offers a record of process rather than a single theme; each photograph operates as a study in how objects behave when isolated, rearranged, or photographed under conditions that heighten texture, reflection, and spatial balance. Instead of presenting a linear evolution, the project functions as an index of recurring interests: translucency, repetition, traces of use, and the quiet theatricality of everyday materials.

03.1
img.SLc_01
01/07

02/07
img.SLc_02
03.2

03/07
img.SLc_03
03.3

04/07
img.SLc_04
03.4

05/07
img.SLc_05
03.5

06/07
img.SLc_06
03.6

07/07
img.SLc_07
03.7

07/07
img.SLc_07
03.7

06/07
img.SLc_06
03.6

05/07
img.SLc_05
03.5

04/07
img.SLc_04
03.4